The HyperTexts
Caitlin Clase
Caitlin Clase is an aspiring writer who spends more time reading than writing.
She loves the sound of bells, the smell of vanilla, and any color of a jewel
toned hue.
Sunset
Docked there at the brink of the bright red brim
of night,
she floats in a bay of dwindling light—the sun
in reeds of
cattail trees that rim and run
horizon’s shore and ship’s hull, honeyed and
bright.
Hail vim and vision! Hail fine, free folds of light
unfurled and
tossed to catch, in sails of spun
silk gold, the carrying winds! Then day’s
undone—
the tides slip in for ship and dimming sight.
And yet the rising
tides of night, deep blue
enough to blind, can do no worse—night bars
from sight but leaves the subjects of sight to stand.
Bright prow and
billows hold true, sailing through
the peak and plunge of waves foam-tipped
in stars—
day’s cargo unharmed, beyond frail sight’s command.
Originally published in The New Stylus
Clementine
And oh! Most heartily am I glad
Of the fact that this
bright
And bursting fruit to be had
In the days of little light
And
bitter cold at Winter’s start,
This orange, this star in Winter,
Is
surely the very heart
Of the Summer, the flaming center.
Originally published in The Chained Muse
Sunrise Triolet
Where sky meets land—a gold cloud band;
But we are Michelangelo’s Adam,
Faint finger raised to outstretched hand.
Where sky meets land, a gold cloud band.
The swirling starlings lightly
land,
Perch, and sing at the edge of the chasm
Where sky meets land. A
gold cloud band—
But we are Michelangelo’s Adam.
Originally published in
Amethyst Review
The Fountain
Parked high atop a hill, we
tumbled out
In a whirl, with riotous laugh and shout, from a car
We
filled past full. We found an answering shout
Of mirth, of dark pink light
swift paling star-
Bright white across the pond below—a world
Drenched
through with splash of color newly born
Of daylight’s ending. Amethyst
waves unfurled
And broke above our heads, blue fringed. The worn
And
burnished sun a coin far flung—a fine,
Sharp, fleck of heavy gold falling
through
A light-pricked fountain. It struck a lingering line
Of
rippling laughter—tossed wish against that hue
Of blackening blue above: for pink
and gold,
Pooling in our eyes, to stain and hold.
The Dryad
In a bloom of midmay light,
Bright boon of
day long lain
Away, long hidden behind
A crumpled grey curtain
Of
rain and fog and rain,
Of water in ceaseless refrain,
There stood a
swift, still moment
Too fine to long maintain:
A girl for glance of eye—
Then pear tree once again.
With bright green beads of new
Born leaves
along her train—
crowned in dewdrop diadem,
And bridal veil of rain.
Some slip of sunlight falling
Made lace of every leaf vein.
A girl for
glance of eye,
Then pear tree once again.
Strung along a limb as lithe
And slender as silver chain,
Bloomed pearls of petals curled
And corked
tightly to contain
A foam and rush of flowers
Splashed out like pale
champagne.
Soon set at naught by shade,
She lost her brief domain.
Sprung up from things too swift,
too strong to long refrain—
A girl for
glance of eye,
Then pear tree once again.
Originally published in The Chained Muse
Swallow
We set out at the start
Of the ending of the day,
As close
companions to wind
And pale, cold light pearled gray
With
coming rain. We stopped—
A single swallow swung
Over the crest of the
hill;
The wheeling world seemed hung
Upon his crescent wings.
A burst of skyward speed.
A plunge down from the heights.
A sudden turn
impedes
The shattering of fragile delight—
Of delicate,
flame-blown blue.
And for a single moment
It was nothing but true
That if the world were only
That bird above the hill,
The world
would be enough—
That Time had held its fill.
Originally published in
The New Stylus
The Water Sprite’s Song
There’s a spring in the woods, long
forgotten,
And it’s there at the bottom I lie,
With a world of dark
waters above
Where I rest with my face to the sky.
In the dusk
and the dim and the quiet,
In a dream of deep jade and dark blues,
It is
there at the bottom I lie
And I watch as the colors diffuse.
Through the green glass globe that the woods
Far above made a roof of
my waters,
A small piece of gold filters down
And I hold out my hand as
it falters
Along its slow path—but a leaf,
That has faded and
fallen, not a coin,
Is the gold that I hold and so toss
To the crumbling
currents to join
With the shadows deep down here below.
In the
sky seems a gathering darkness,
With a heart of high winds set against
The bold saffron flags of the iris.
But the gray cloud bursts in
confusion
With the wings and the songs of small birds,
And black
feathers fly off in profusion
As they scatter like windswept words.
Where the swing and the lull of the waters
Is the sunlight and soil to
shadows
That billow and bloom here below,
It is there that I wait. The
wind blows—
The trees bow and part at its passing,
Throwing down a
bright net of clear light—
A few silvered threads flutter loose
And I watch as they fall from their height,
Fall and fill up the
depths with cold crystal-
Cut, glittering light. An ascent
As they
glance and they gather, a crescendo
Of echoing light in descent.
There’s a spring in the woods long forgotten,
And it’s there that stray
light strikes strong,
As it warbles it’s way through dark waters
With a
clarity keen as a song.
The HyperTexts