The HyperTexts
Joseph Andros
Joseph Andros describes himself as an Unprofessional Songwriter, a Freelance
Insultant (Undeliberate), a Professional Debtor, a Chief Neologian and Synonym
Differentiator, a Social Justice Worrier and Unrepentant Unregenerate Privilege
Apologist, and an Online Poet of Note (at least one).
chrysalis
Every time
I get full of myself,
my self expands
and I'm just a marble
in a giant's hand, and then
I have to grow again.
origin
In ancient days,
my love for you
lurched formlessly
among the wilds
in search of you — to feel about
in search of me — to feel inside
down all those days
without a form,
my love of you
grew mad and strange.
'Til we were born,
and it found me,
and I found you,
and we were changed.
Ghost of a Dog
yard's haunted
nobody knows whose dog
people who lived here before say
they never had a dog
or maybe they never played with it
poor thing
you can hear it
out there, nights
you throw a tennis ball out
come the morning, it's all chewed
won't come near you though
scared, I think
sometimes, you hear a whimper
sometimes, a whine
you know she just wants love
you throw a treat out there
come the morning, it's untouched
that's how I knew — it's not raccoons
plenty of 'coons out here, but
they don't go near our yard
scared, I think
it's too late for a treat
yard's haunted
poor thing out there,
whining and rustling at night
never barks
called the church, exorcist says
they don't do dogs
goddamn papists
bunch of bureaucrats, I swear
you know she just wants love
I want to love you honey!
but how can I do it? If you
were corporeal, I could find some way
coax you out where I could see you
love on your matted and smelly fur until
you knew you could trust me. Let me
give you a bath, feed you up
strong
you won't come near me, though
can't keep keeping me up like this
honey, what's wrong? who was it
chained you in this yard?
I know you just want love
beholder
She stands at the window
observing people
destroying the trees
around her house, so
the tenants won't have any leaves
to rake.
They don't understand
and neither does she,
but they won't get away with it.
She sees
What they're going to take.
She sees the workmen, impersonal.
They arrive in small
white trucks, for a job
they were hired to do
like any other.
If they had refused,
then somebody else
would be watched, right now
by the girl who is watching you
Who is trying
to help, to witness,
to do what she can,
to see what is wrong,
and not turn away
from such business.
These aren't their trees,
but they go right through
and they take them down.
These trees belong
to whoever will pay
to cut through the living trunks
and leave stumps,
like ready-made headstones,
marking graves.
These trees,
there was nothing wrong
with them, and no one
and nothing
to save.
These trees,
they belonged
to the birds, all around
dropping down
what they think
of us.
While they couldn't have known,
we can see they were right,
by how we treat
what we say
we own.
She stands by the window
and sees it all. In her mind,
she holds who's responsible.
And maybe, one night or two gone by,
she'll sneak out with a knife
and carve some sign
to show "goodbye,"
and "I wish I could save you,"
and "I know who did it."
I saw it all.
And maybe they'll see,
from their own windows.
They'll see and they'll know
she saw everything.
They'll go out in the morning,
to find the stumps marked
with a love heart and date
of the tree's demise,
and everything eerily silent
— no birds to sing.
And then, uneasy, they'll bring
themselves
to look up to the window
and meet her eyes.
The HyperTexts