The HyperTexts

Perfect Poems

Is there such a thing as a perfect poem? If by "perfect" we mean poems so good that we can't imagine improving them in any way, I think the answer is yes. These are the poems that seem "un-improvable" to me. However, please keep in mind that these are just one person's opinions, for whatever they're worth ...

The following poems are, in my opinion, among the best poems of all time. The masterful poets published here include Conrad Aiken, W. H. Auden, Elizabeth Bishop, William Blake, Louise Bogan, Robert Burns, Lord Byron, John Clare, Hart Crane, e. e. cummings, Emily Dickinson, John Donne, Ernest Dowson, T. S. Eliot, Robert Frost, Thomas Hardy, Robert Hayden, Robert Herrick, Gerard Manley Hopkins, A. E. Housman, Langston Hughes, Ben Jonson, John Keats, Henry Wadsworth Longfellow, Edna St. Vincent Millay, John Milton, Wilfred Owen, Sylvia Plath, E. A. Robinson, Christina Rossetti, Ezra Pound, William Shakespeare, Percy Bysshe Shelley, Edmund Spenser, Wallace Stevens, Sara Teasdale, Alfred Lord Tennyson, Walt Whitman, Oscar Wilde, William Carlos Williams, William Wordsworth, Thomas Wyatt and William Butler Yeats. There are also English translations of poems by Basho, William Dunbar, Sappho and King Solomon (or whoever wrote the biblical "Song of Songs"). The forms of poetry found on this page include ballads, epigrams, free verse, haiku, limericks, odes, sestinas, sonnets, villanelles and waka (tanka).

compiled by Michael R. Burch



A thing of beauty is a joy forever.
Its loveliness increases; it will never
pass into nothingness ...
―John Keats



Eros harrows my heart:
wild winds whipping desolate mountains,
uprooting oaks.
―Sappho of Lesbos, translation by Michael R. Burch

Sappho is the first great lyric poet that we know by name today. The term "lyric" derives from the lyre, a harp-like musical instrument. Sappho is thus the original singer-songwriter, and the artistic mother not only of lyric poets like Edmund Spenser, William Shakespeare and Emily Dickinson, but also of singer-songwriters like Woody Guthrie, Pete Seeger, Bob Dylan, John Lennon, Sam Cooke and Carole King.



The Eagle
by Alfred, Lord Tennyson

He clasps the crag with crooked hands;
Close to the sun in lonely lands,
Ring'd with the azure world, he stands.

The wrinkled sea beneath him crawls;
He watches from his mountain walls,
And like a thunderbolt he falls.



Requiescat
by Oscar Wilde

Tread lightly, she is near
Under the snow,
Speak gently, she can hear
The daisies grow.

All her bright golden hair
Tarnished with rust,
She that was young and fair
Fallen to dust.

Lily-like, white as snow,
She hardly knew
She was a woman, so
Sweetly she grew.

Coffin-board, heavy stone,
Lie on her breast,
I vex my heart alone,
She is at rest.

Peace, Peace, she cannot hear
Lyre or sonnet,
All my life's buried here,
Heap earth upon it.

"Requiescat" is the first word in the Latin prayer "Requiescat in pace" (meaning "Rest in peace"). Oscar Wilde  wrote the poem for his beloved sister Isola, who died at age nine. I believe Wilde's poem may have been influenced by an elder poet, Robert Herrick ...



Another: Upon a Child
by Robert Herrick

Here a pretty baby lies
Sung asleep with lullabies:
Pray be silent, and not stir
Th' easy earth that covers her.



Haiku and Haiku-Like Poems

Lightning
shatters the darkness:
the night heron's shriek.
―Matsuo Basho, loose translation by Michael R. Burch

An ancient pond,
the frog leaps:
the silver plop and gurgle of water.
―Matsuo Basho, loose translation by Michael R. Burch

In a misty rain
A butterfly is riding
The tail of a cow.
―Richard Wright



This Living Hand
by John Keats

This living hand, now warm and capable
Of earnest grasping, would, if it were cold
And in the icy silence of the tomb,
So haunt thy days and chill thy dreaming nights
That thou would wish thine own heart dry of blood
So in my veins red life might stream again,
And thou be conscience-calm’d—see here it is—
I hold it towards you.

This poem was written by John Keats in December 1819 when he was dying of tuberculosis and wasting away before his friends' eyes, and his own. Leigh Hunt later recollected how Keats would often look at his hand and remark with dismay that it was the hand of a fifty-year-old, even though he was only half that age.



Minstrel Man
by Langston Hughes

Because my mouth
Is wide with laughter
And my throat
Is deep with song,
You did not think
I suffer after
I've held my pain
So long.

Because my mouth
Is wide with laughter
You do not hear
My inner cry:
Because my feet
Are gay with dancing,
You do not know
I die.

Langston Hughes was one of the first American poets to create a "fusion" between the blues, jazz and modern poetry.



Epigram Engraved on the Collar of a Dog Which I Gave to His Royal Highness
by Alexander Pope

I am his highness's dog at Kew;
Pray tell me, sir, whose dog are you?

Alexander Pope, a poet famous for his satires such as The Dunciad and The Rape of the Lock, wrote this epigram in the 1730s and had it engraved on the collar of one of his puppies, which he gave to Frederick, Prince of Wales.



Do not stand at my grave and weep
by Mary Elizabeth Frye

Do not stand at my grave and weep:
I am not there; I do not sleep.
I am a thousand winds that blow,
I am the diamond glints on snow,
I am the sun on ripened grain,
I am the gentle autumn rain.
When you awaken in the morning’s hush
I am the swift uplifting rush
Of quiet birds in circling flight.
I am the soft starshine at night.
Do not stand at my grave and cry:
I am not there; I did not die.

This consoling elegy had a mysterious genesis, as it was written by Mary Elizabeth Frye, a Baltimore housewife who lacked a formal education, having been orphaned at age three. Frye, who had never written a poem before, composed the poem on a ripped-off piece of a brown grocery bag, in a burst of compassion for a Jewish girl who had fled the Holocaust only to receive news that her mother had died in Germany. The girl was weeping inconsolably because she couldn't even visit her mother's grave. When the poem was named Britain's most popular poem in a 1996 Bookworm poll, with more than 30,000 call-in votes despite not having been one of the critics' nominations, an unlettered orphan girl had seemingly surpassed all England's many cultured and degreed ivory towerists in the public's estimation. Although the poem's origin was disputed for some time (it had been attributed to Native American and other sources), Frye's authorship was confirmed in 1998 after investigative research by Abigail Van Buren, the newspaper columnist better known as "Dear Abby." The poem has also been called "I Am" due to its rather biblical repetitions of the phrase. Frye never formally published or copyrighted the poem, so we believe it is in the public domain and can be shared, although we recommend that it not be used for commercial purposes, since Frye never tried to profit from it herself.



The Sick Rose
by William Blake

O Rose, thou art sick.
The invisible worm
That flies in the night
In the howling storm

Has found out thy bed
Of crimson joy,
And his dark secret love
Does thy life destroy.

William Blake may have been the most influential poet/artist of all time. If you're interested to know why, you can click here: William Blake the World's Most Influential Poet/Artist. Blake was a mystic who said that he communicated with angels and saints on a daily basis. In addition to being one of England's greatest poets, he may have been its greatest painter and engraver as well.



Come Slowly, Eden
by Emily Dickinson

Come slowly—Eden
Lips unused to thee—
Bashful—sip thy jasmines—
As the fainting bee—

Reaching late his flower,
Round her chamber hums—
Counts his nectars—alights—
And is lost in balms!



This Is Just to Say
by William Carlos Williams

I have eaten
the plums
that were in
the icebox

and which
you were probably
saving
for breakfast

Forgive me
they were delicious
so sweet
and so cold



Music When Soft Voices Die (To —)
by Percy Bysshe Shelley

Music, when soft voices die,
Vibrates in the memory—
Odours, when sweet violets sicken,
Live within the sense they quicken.

Rose leaves, when the rose is dead,
Are heaped for the belovèd's bed;
And so thy thoughts, when thou art gone,
Love itself shall slumber on.



Excerpt from "The Sunlight on the Garden"
by Louis MacNeice

The sunlight on the garden
Hardens and grows cold,
We cannot cage the minute
Within its nets of gold,
When all is told
We cannot beg for pardon.



Nothing Gold Can Stay
by Robert Frost

Nature's first green is gold,
Her hardest hue to hold.
Her early leaf's a flower;
But only so an hour.
Then leaf subsides to leaf.
So Eden sank to grief,
So dawn goes down to day.
Nothing gold can stay.



The Tide Rises, The Tide Falls
by Henry Wadsworth Longfellow

The tide rises, the tide falls,
The twilight darkens, the curlew calls;
Along the sea-sands damp and brown
The traveller hastens toward the town,
   And the tide rises, the tide falls.

Darkness settles on roofs and walls,
But the sea, the sea in the darkness calls;
The little waves, with their soft, white hands,
Efface the footprints in the sands,
   And the tide rises, the tide falls.

The morning breaks; the steeds in their stalls
Stamp and neigh, as the hostler calls;
The day returns, but nevermore
Returns the traveller to the shore,
   And the tide rises, the tide falls.



Song
by John Donne

Go and catch a falling star,
Get with child a mandrake root,
Tell me where all past years are,
Or who cleft the devils foot;
Teach me to hear mermaids singing,
Or to keep off envy's stinging,
And find
What wind
Serves to advance an honest mind.

If thou be'st born to strange sights,
Things invisible to see,
Ride ten thousand days and nights
Till Age snow white hairs on thee;
Thou, when thou return'st wilt tell me
All strange wonders that befell thee,
And swear
No where
Lives a woman true and fair.

If thou find'st one let me know;
Such a pilgrimage were sweet.
Yet do not; I would not go,
Though at next door we might meet.
Though she were true when you met her,
And last, till you write your letter,
Yet she
Will be
False, ere I come, to two or three.



Excerpt from "Macbeth"
by William Shakespeare

Tomorrow, and tomorrow, and tomorrow,
Creeps in this petty pace from day to day
To the last syllable of recorded time,
And all our yesterdays have lighted fools
The way to dusty death. Out, out, brief candle!
Life’s but a walking shadow, a poor player
That struts and frets his hour upon the stage
And then is heard no more: it is a tale
Told by an idiot, full of sound and fury,
Signifying nothing.



Final Soliloquy of the Interior Paramour
by Wallace Stevens

Light the first light of evening, as in a room
In which we rest and, for small reason, think
The world imagined is the ultimate good.

This is, therefore, the intensest rendezvous.
It is in that thought that we collect ourselves,
Out of all the indifferences, into one thing:

Within a single thing, a single shawl
Wrapped tightly round us, since we are poor, a warmth,
A light, a power, the miraculous influence.

Here, now, we forget each other and ourselves.
We feel the obscurity of an order, a whole,
A knowledge, that which arranged the rendezvous.

Within its vital boundary, in the mind.
We say God and the imagination are one ...
How high that highest candle lights the dark.

Out of this same light, out of the central mind,
We make a dwelling in the evening air,
In which being there together is enough.



The Forge
by Seamus Heaney

All I know is a door into the dark.
Outside, old axles and iron hoops rusting;
Inside, the hammered anvil’s short-pitched ring,
The unpredictable fantail of sparks
Or hiss when a new shoe toughens in water.
The anvil must be somewhere in the centre,
Horned as a unicorn, at one end and square,
Set there immoveable: an altar
Where he expends himself in shape and music.
Sometimes, leather-aproned, hairs in his nose,
He leans out on the jamb, recalls a clatter
Of hoofs where traffic is flashing in rows;
Then grunts and goes in, with a slam and flick
To beat real iron out, to work the bellows.



Adlestrop
by Edward Thomas

Yes. I remember Adlestrop—
The name, because one afternoon
Of heat the express-train drew up there
Unwontedly. It was late June.

The steam hissed. Someone cleared his throat.
No one left and no one came
On the bare platform. What I saw
Was Adlestrop—only the name

And willows, willow-herb, and grass,
And meadowsweet, and haycocks dry,
No whit less still and lonely fair
Than the high cloudlets in the sky.

And for that minute a blackbird sang
Close by, and round him, mistier,
Farther and farther, all the birds
Of Oxfordshire and Gloucestershire.



A Refusal to Mourn the Death, by Fire, of a Child in London
by Dylan Thomas

Never until the mankind making
Bird beast and flower
Fathering and all humbling darkness
Tells with silence the last light breaking
And the still hour
Is come of the sea tumbling in harness

And I must enter again the round
Zion of the water bead
And the synagogue of the ear of corn
Shall I let pray the shadow of a sound
Or sow my salt seed
In the least valley of sackcloth to mourn

The majesty and burning of the child's death.
I shall not murder
The mankind of her going with a grave truth
Nor blaspheme down the stations of the breath
With any further
Elegy of innocence and youth.

Deep with the first dead lies London's daughter,
Robed in the long friends,
The grains beyond age, the dark veins of her mother,
Secret by the unmourning water
Of the riding Thames.
After the first death, there is no other.



Servitude
by Anne Reeve Aldrich

The church was dim at vespers.
My eyes were on the Rood.
But yet I felt thee near me,
In every drop of blood.

In helpless, trembling bondage
My soul's weight lies on thee,
O call me not at dead of night,
Lest I should come to thee!



Upon Julia's Clothes
by Robert Herrick

Whenas in silks my Julia goes,
Then, then, methinks, how sweetly flows
The liquefaction of her clothes.

Next, when I cast mine eyes and see
That brave vibration each way free,
Oh, how that glittering taketh me!



Delight in Disorder
by Robert Herrick

A sweet disorder in the dress
Kindles in clothes a wantonness:
A lawn about the shoulders thrown
Into a fine distraction—
An erring lace, which here and there
Enthrals the crimson stomacher—
A cuff neglectful, and thereby
Ribbands to flow confusedly—
A winning wave, deserving note,
In the tempestuous petticoat—
A careless shoe-string, in whose tie
I see a wild civility—
Do more bewitch me than when art
Is too precise in every part.



Sweet Rose of Virtue
by William Dunbar
translation by Michael R. Burch

Sweet rose of virtue and of gentleness,
delightful lily of wanton loveliness,
richest in bounty and in beauty clear
and in every virtue that men hold dear―
except only that you are merciless.

Into your garden, today, I followed you
through lustrous flowers of freshest hue,
both white and red, delightful to see,
and wholesome herbs, waving resplendently―
yet everywhere, no leaf nor petal of rue.

I fear that March with his last arctic blast
has slain my fair flower of pallid and gentle cast,
whose piteous death does my heart such pain
that, if I could, I would plant love's tendrils again―
so comforting her bowering leaves have been.



The Wild Swans at Coole
by William Butler Yeats

The trees are in their autumn beauty,
The woodland paths are dry,
Under the October twilight the water
Mirrors a still sky;
Upon the brimming water among the stones
Are nine and fifty swans.

The nineteenth Autumn has come upon me
Since I first made my count;
I saw, before I had well finished,
All suddenly mount
And scatter wheeling in great broken rings
Upon their clamorous wings.

I have looked upon those brilliant creatures,
And now my heart is sore.
All’s changed since I, hearing at twilight,
The first time on this shore,
The bell-beat of their wings above my head,
Trod with a lighter tread.

Unwearied still, lover by lover,
They paddle in the cold,
Companionable streams or climb the air;
Their hearts have not grown old;
Passion or conquest, wander where they will,
Attend upon them still.

But now they drift on the still water
Mysterious, beautiful;
Among what rushes will they build,
By what lake’s edge or pool
Delight men’s eyes, when I awake some day
To find they have flown away?



Bread and Music
by Conrad Aiken

Music I heard with you was more than music,
And bread I broke with you was more than bread;
Now that I am without you, all is desolate;
All that was once so beautiful is dead.

Your hands once touched this table and this silver,
And I have seen your fingers hold this glass.
These things do not remember you, belovèd,
And yet your touch upon them will not pass.

For it was in my heart you moved among them,
And blessed them with your hands and with your eyes;
And in my heart they will remember always,—
They knew you once, O beautiful and wise.



The Snow Man
by Wallace Stevens

One must have a mind of winter
To regard the frost and the boughs
Of the pine-trees crusted with snow;

And have been cold a long time
To behold the junipers shagged with ice,
The spruces rough in the distant glitter

Of the January sun; and not to think
Of any misery in the sound of the wind,
In the sound of a few leaves,

Which is the sound of the land
Full of the same wind
That is blowing in the same bare place

For the listener, who listens in the snow,
And, nothing himself, beholds
Nothing that is not there and the nothing that is.



Piano
by D. H. Lawrence

Softly, in the dusk, a woman is singing to me;
Taking me back down the vista of years, till I see
A child sitting under the piano, in the boom of the tingling strings
And pressing the small, poised feet of a mother who smiles as she sings.
In spite of myself, the insidious mastery of song
Betrays me back, till the heart of me weeps to belong
To the old Sunday evenings at home, with winter outside
And hymns in the cozy parlor, the tinkling piano our guide.
So now it is vain for the singer to burst into clamor
With the great black piano appassionato. The glamour
Of childish days is upon me, my manhood is cast
Down in the flood of remembrance, I weep like a child for the past.



Song For The Last Act
by Louise Bogan

Now that I have your face by heart, I look
Less at its features than its darkening frame
Where quince and melon, yellow as young flame,
Lie with quilled dahlias and the shepherd's crook.
Beyond, a garden. There, in insolent ease
The lead and marble figures watch the show
Of yet another summer loath to go
Although the scythes hang in the apple trees.

Now that I have your face by heart, I look.

Now that I have your voice by heart, I read
In the black chords upon a dulling page
Music that is not meant for music's cage,
Whose emblems mix with words that shake and bleed.
The staves are shuttled over with a stark
Unprinted silence. In a double dream
I must spell out the storm, the running stream.
The beat's too swift. The notes shift in the dark.

Now that I have your voice by heart, I read.

Now that I have your heart by heart, I see
The wharves with their great ships and architraves;
The rigging and the cargo and the slaves
On a strange beach under a broken sky.
O not departure, but a voyage done!
The bales stand on the stone; the anchor weeps
Its red rust downward, and the long vine creeps
Beside the salt herb, in the lengthening sun.

Now that I have your heart by heart, I see.



The Death of a Toad
by Richard Wilbur

       A toad the power mower caught,
Chewed and clipped of a leg, with a hobbling hop has got
   To the garden verge, and sanctuaried him
   Under the cineraria leaves, in the shade
      Of the ashen and heartshaped leaves, in a dim,
          Low, and a final glade.

       The rare original heartsblood goes,
Spends in the earthen hide, in the folds and wizenings, flows
    In the gutters of the banked and staring eyes. He lies
    As still as if he would return to stone,
        And soundlessly attending, dies
           Toward some deep monotone,

       Toward misted and ebullient seas
And cooling shores, toward lost Amphibia's emperies.
    Day dwindles, drowning and at length is gone
    In the wide and antique eyes, which still appear
        To watch, across the castrate lawn,
            The haggard daylight steer.



Acquainted With The Night
by Robert Frost

I have been one acquainted with the night.
I have walked out in rain—and back in rain.
I have outwalked the furthest city light.
I have looked down the saddest city lane.
I have passed by the watchman on his beat
And dropped my eyes, unwilling to explain.
I have stood still and stopped the sound of feet
When far away an interrupted cry
Came over houses from another street,
But not to call me back or say good-by;
And further still at an unearthly height,
One luminary clock against the sky
Proclaimed the time was neither wrong nor right.
I have been one acquainted with the night.



In A Station Of The Metro
by Ezra Pound

The apparition of these faces in the crowd:
Petals on a wet, black bough.



A Noiseless Patient Spider
by Walt Whitman

A noiseless patient spider,
I mark'd where on a little promontory it stood isolated,
Mark'd how to explore the vacant vast surrounding,
It launch'd forth filament, filament, filament, out of itself,
Ever unreeling them, ever tirelessly speeding them.

And you O my soul where you stand,
Surrounded, detached, in measureless oceans of space,
Ceaselessly musing, venturing, throwing, seeking the spheres to connect them,
Till the bridge you will need be form'd, till the ductile anchor hold,
Till the gossamer thread you fling catch somewhere, O my soul.



Those Winter Sundays
by Robert Hayden

Sundays too my father got up early
and put his clothes on in the blueblack cold,
then with cracked hands that ached
from labor in the weekday weather made
banked fires blaze. No one ever thanked him.
I'd wake and hear the cold splintering, breaking.
When the rooms were warm, he'd call,
and slowly I would rise and dress,
fearing the chronic angers of that house,
Speaking indifferently to him,
who had driven out the cold
and polished my good shoes as well.
What did I know, what did I know
of love's austere and lonely offices?



Do Not Go Gentle Into That Good Night
by Dylan Thomas

Do not go gentle into that good night,
Old age should burn and rave at close of day;
Rage, rage against the dying of the light.

Though wise men at their end know dark is right,
Because their words had forked no lightning they
Do not go gentle into that good night.

Good men, the last wave by, crying how bright
Their frail deeds might have danced in a green bay,
Rage, rage against the dying of the light.

Wild men who caught and sang the sun in flight,
And learn, too late, they grieved it on its way,
Do not go gentle into that good night.

Grave men, near death, who see with blinding sight
Blind eyes could blaze like meteors and be gay,
Rage, rage against the dying of the light.

And you, my father, there on the sad height,
Curse, bless, me now with your fierce tears, I pray.
Do not go gentle into that good night.
Rage, rage against the dying of the light.



Cradle Song
by William Blake

Sleep, sleep, beauty bright,
Dreaming in the joys of night;
Sleep, sleep; in thy sleep
Little sorrows sit and weep.

Sweet babe, in thy face
Soft desires I can trace,
Secret joys and secret smiles,
Little pretty infant wiles.

As thy softest limbs I feel
Smiles as of the morning steal
O'er thy cheek, and o'er thy breast
Where thy little heart doth rest.

O the cunning wiles that creep
In thy little heart asleep!
When thy little heart doth wake,
Then the dreadful night shall break.



In My Craft Or Sullen Art
by Dylan Thomas

In my craft or sullen art
Exercised in the still night
When only the moon rages
And the lovers lie abed
With all their griefs in their arms,
I labour by singing light
Not for ambition or bread
Or the strut and trade of charms
On the ivory stages
But for the common wages
Of their most secret heart.
Not for the proud man apart
From the raging moon I write
On these spindrift pages
Nor for the towering dead
With their nightingales and psalms
But for the lovers, their arms
Round the griefs of the ages,
Who pay no praise or wages
Nor heed my craft or art.



The Garden
by Ezra Pound

Like a skein of loose silk blown against a wall
She walks by the railing of a path in Kensington Gardens,
And she is dying piece-meal
               of a sort of emotional anemia.

And round about there is a rabble
Of the filthy, sturdy, unkillable infants of the very poor.
They shall inherit the earth.

In her is the end of breeding.
Her boredom is exquisite and excessive.

She would like some one to speak to her,
And is almost afraid that I
             will commit that indiscretion.



Lullaby
by W. H. Auden

Lay your sleeping head, my love,
Human on my faithless arm:
Time and fevers burn away
Individual beauty from
Thoughtful children, and the grave
Proves the child ephemeral:
But in my arms till break of day
Let the living creature lie,
Mortal, guilty, but to me
The entirely beautiful.

Soul and body have no bounds:
To lovers as they lie upon
Her tolerant enchanted slope
In their ordinary swoon,
Grave the vision Venus sends
Of supernatural sympathy,
Universal love and hope;
While an abstract insight wakes
Among the glaciers and the rocks
The hermit's carnal ecstacy.

Certainty, fidelity
On the stroke of midnight pass
Like vibrations of a bell
And fashionable madmen raise
Their pedantic boring cry:
Every farthing of the cost.
All the dreaded cards foretell.
Shall be paid, but from this night
Not a whisper, not a thought.
Not a kiss nor look be lost.

Beauty, midnight, vision dies:
Let the winds of dawn that blow
Softly round your dreaming head
Such a day of welcome show
Eye and knocking heart may bless,
Find our mortal world enough;
Noons of dryness find you fed
By the involuntary powers,
Nights of insult let you pass
Watched by every human love.



The Most of It
by Robert Frost

He thought he kept the universe alone;
For all the voice in answer he could wake
Was but the mocking echo of his own
From some tree—hidden cliff across the lake.
Some morning from the boulder—broken beach
He would cry out on life, that what it wants
Is not its own love back in copy speech,
But counter—love, original response.
And nothing ever came of what he cried
Unless it was the embodiment that crashed
In the cliff's talus on the other side,
And then in the far distant water splashed,
But after a time allowed for it to swim,
Instead of proving human when it neared
And someone else additional to him,
As a great buck it powerfully appeared,
Pushing the crumpled water up ahead,
And landed pouring like a waterfall,
And stumbled through the rocks with horny tread,
And forced the underbrush—and that was all.



They Flee from Me
by Thomas Wyatt

They flee from me that sometime did me seek
With naked foot stalking in my chamber.
I have seen them gentle tame and meek
That now are wild and do not remember
That sometime they put themselves in danger
To take bread at my hand; and now they range
Busily seeking with a continual change.

Thanked be fortune, it hath been otherwise
Twenty times better; but once in special,
In thin array after a pleasant guise,
When her loose gown from her shoulders did fall,
And she me caught in her arms long and small;
And therewithal sweetly did me kiss,
And softly said, Dear heart, how like you this?

It was no dream, I lay broad waking.
But all is turned thorough my gentleness
Into a strange fashion of forsaking;
And I have leave to go of her goodness
And she also to use newfangleness.
But since that I so kindly am served,
I would fain know what she hath deserved.



My Heart Leaps Up When I Behold
by William Wordsworth

My heart leaps up when I behold
   A rainbow in the sky:
So was it when my life began;
So is it now I am a man;
So be it when I shall grow old,
   Or let me die!
The Child is father of the Man;
I could wish my days to be
Bound each to each by natural piety.



Edge
by Sylvia Plath

The woman is perfected.
Her dead
Body wears the smile of accomplishment,
The illusion of a Greek necessity
Flows in the scrolls of her toga,
Her bare
Feet seem to be saying:
We have come so far, it is over.
Each dead child coiled, a white serpent,
One at each little
Pitcher of milk, now empty.
She has folded
Them back into her body as petals
Of a rose close when the garden
Stiffens and odors bleed
From the sweet, deep throats of the night flower.
The moon has nothing to be sad about,
Staring from her hood of bone.
She is used to this sort of thing.
Her blacks crackle and drag.



When You Are Old
by William Butler Yeats

When you are old and grey and full of sleep,
And nodding by the fire, take down this book,
And slowly read, and dream of the soft look
Your eyes had once, and of their shadows deep;

How many loved your moments of glad grace,
And loved your beauty with love false or true,
But one man loved the pilgrim soul in you,
And loved the sorrows of your changing face;

And bending down beside the glowing bars,
Murmur, a little sadly, how Love fled
And paced upon the mountains overhead
And hid his face amid a crowd of stars.



An Irish Airman Foresees His Death
by William Butler Yeats

I know that I shall meet my fate
Somewhere among the clouds above;
Those that I fight I do not hate,
Those that I guard I do not love;
My country is Kiltartan Cross,
My countrymen Kiltartan's poor,
No likely end could bring them loss
Or leave them happier than before.
Nor law, nor duty bade me fight,
Nor public men, nor cheering crowds,
A lonely impulse of delight
Drove to this tumult in the clouds;
I balanced all, brought all to mind,
The years to come seemed waste of breath,
A waste of breath the years behind
In balance with this life, this death.



When I Heard The Learn'd Astronomer
by Walt Whitman

When I heard the learn'd astronomer,
When the proofs, the figures, were ranged in columns before me,
When I was shown the charts and diagrams, to add, divide, and measure them,
When I sitting heard the astronomer where he lectured with much applause in the lecture-room,
How soon unaccountable I became tired and sick,
Till rising and gliding out I wander'd off by myself,
In the mystical moist night-air, and from time to time,
Look'd up in perfect silence at the stars.



To Brooklyn Bridge
by Hart Crane

How many dawns, chill from his rippling rest
The seagull's wings shall dip and pivot him,
Shedding white rings of tumult, building high
Over the chained bay waters Liberty—

Then, with inviolate curve, forsake our eyes
As apparitional as sails that cross
Some page of figures to be filed away;
—Till elevators drop us from our day ...

I think of cinemas, panoramic sleights
With multitudes bent toward some flashing scene
Never disclosed, but hastened to again,
Foretold to other eyes on the same screen;

And Thee, across the harbor, silver-paced
As though the sun took step of thee, yet left
Some motion ever unspent in thy stride,—
Implicitly thy freedom staying thee!

Out of some subway scuttle, cell or loft
A bedlamite speeds to thy parapets,
Tilting there momently, shrill shirt ballooning,
A jest falls from the speechless caravan.

Down Wall, from girder into street noon leaks,
A rip-tooth of the sky's acetylene;
All afternoon the cloud-flown derricks turn ...
Thy cables breathe the North Atlantic still.

And obscure as that heaven of the Jews,
Thy guerdon ... Accolade thou dost bestow
Of anonymity time cannot raise:
Vibrant reprieve and pardon thou dost show.

O harp and altar, of the fury fused,
(How could mere toil align thy choiring strings!)
Terrific threshold of the prophet's pledge,
Prayer of pariah, and the lover's cry,—

Again the traffic lights that skim thy swift
Unfractioned idiom, immaculate sigh of stars,
Beading thy path—condense eternity:
And we have seen night lifted in thine arms.

Under thy shadow by the piers I waited;
Only in darkness is thy shadow clear.
The City's fiery parcels all undone,
Already snow submerges an iron year ...

O Sleepless as the river under thee,
Vaulting the sea, the prairies' dreaming sod,
Unto us lowliest sometime sweep, descend
And of the curveship lend a myth to God.



Forgive, O Lord
by Robert Frost

Forgive, O Lord, my little jokes on Thee
And I'll forgive the great big one on me.



Excerpt from "More Poems"
by A. E. Housman

XXIII

Crossing alone the nighted ferry
   With the one coin for fee,
Whom, on the wharf of Lethe waiting,
   Count you to find? Not me.

The brisk fond lackey to fetch and carry,
   The true, sick-hearted slave,
Expect him not in the just city
   And free land of the grave.



Wild Asters
by Sara Teasdale

In the spring I asked the daisies
   If his words were true,
And the clever, clear-eyed daisies
   Always knew.

Now the fields are brown and barren,
   Bitter autumn blows,
And of all the stupid asters
   Not one knows.



Song
by Christina Rossetti

When I am dead, my dearest,
   Sing no sad songs for me;
Plant thou no roses at my head,
   Nor shady cypress tree:
Be the green grass above me
   With showers and dewdrops wet;
And if thou wilt, remember,
   And if thou wilt, forget.

I shall not see the shadows,
   I shall not feel the rain;
I shall not hear the nightingale
   Sing on, as if in pain:
And dreaming through the twilight
   That doth not rise nor set,
Haply I may remember,
   And haply may forget.



Luke Havergal
by Edward Arlington Robinson

Go to the western gate, Luke Havergal,
There where the vines cling crimson on the wall,
And in the twilight wait for what will come.
The leaves will whisper there of her, and some,
Like flying words, will strike you as they fall;
But go, and if you listen, she will call.
Go to the western gate, Luke Havergal—
Luke Havergal.

No, there is not a dawn in eastern skies
To rift the fiery night that's in your eyes;
But there, where western glooms are gathering
The dark will end the dark, if anything:
God slays Himself with every leaf that flies,
And hell is more than half of paradise.
No, there is not a dawn in eastern skies—
In eastern skies.

Out of a grave I come to tell you this,
Out of a grave I come to quench the kiss
That flames upon your forehead with a glow
That blinds you to the way that you must go.
Yes, there is yet one way to where she is,
Bitter, but one that faith may never miss.
Out of a grave I come to tell you this—
To tell you this.

There is the western gate, Luke Havergal,
There are the crimson leaves upon the wall,
Go, for the winds are tearing them away,—
Nor think to riddle the dead words they say,
Nor any more to feel them as they fall;
But go, and if you trust her she will call.
There is the western gate, Luke Havergal—
Luke Havergal.



On My First Son
by Ben Jonson

Farewell, thou child of my right hand, and joy;
My sin was too much hope of thee, loved boy.
Seven years thou wert lent to me, and I thee pay,
Exacted by thy fate, on the just day.
O, could I lose all father now! For why
Will man lament the state he should envy?
To have so soon 'scaped world's and flesh's rage,
And, if no other misery, yet age?
Rest in soft peace, and asked, say, "Here doth lie
Ben Jonson his best piece of poetry,
For whose sake, henceforth, all his vows be such
As what he loves may never like too much."



Whoso List to Hunt
by Sir Thomas Wyatt

Whoso list to hunt, I know where is an hind,
But as for me, alas!, I may no more.
The vain travail hath wearied me so sore,
I am of them that farthest cometh behind.
Yet may I by no means my wearied mind
Draw from the deer, but as she fleeth afore
Fainting I follow. I leave off therefore,
Since in a net I seek to hold the wind.
Who list her hunt, I put him out of doubt,
As well as I may spend his time in vain.
And graven with diamonds in letters plain
There is written, her fair neck round about:
Noli me tangere, for Caesar's I am,
And wild for to hold, though I seem tame.

Noli me tangere means "Touch me not." According to the Bible, this is what Jesus said to Mary Magdalene when she tried to embrace him after the resurrection. In May 1536, Wyatt was imprisoned in the Tower of London for allegedly committing adultery with Anne Boleyn. He was released from the Tower later that year, thanks to his friendship and his father's friendship with Thomas Cromwell. But during his stay in the Tower, Wyatt may have witnessed the execution of Anne Boleyn from his cell window, and the executions of the five other men with whom she was accused of committing adultery. A common interpretation of this poem is that the deer (dear) is Anne Boleyn, and that Caesar is King Henry VIII, who had her and her lovers beheaded.



Amoretti, Sonnet #75
by Edmund Spenser

One day I wrote her name upon the strand,
But came the waves and washed it away:
Again I wrote it with a second hand,
But came the tide, and made my pains his prey.
Vain man, said she, that doest in vain assay,
A mortal thing so to immortalize,
For I myself shall like to this decay,
And eke my name be wiped out likewise.
Not so, quoth I, let baser things devise
To die in dust, but you shall live by fame:
My verse, your virtues rare shall eternize,
And in the heavens write your glorious name.
Where when as death shall all the world subdue,
Our love shall live, and later life renew.



Exile
by Hart Crane

My hands have not touched pleasure since your hands,—
No,—nor my lips freed laughter since 'farewell',
And with the day, distance again expands
Voiceless between us, as an uncoiled shell.

Yet love endures, though starving and alone.
A dove's wings cling about my heart each night
With surging gentleness, and the blue stone
Set in the tryst-ring has but worn more bright.



It Is a Beauteous Evening, Calm And Free
by William Wordsworth

It is a beauteous evening, calm and free,
The holy time is quiet as a Nun
Breathless with adoration; the broad sun
Is sinking down in its tranquillity;
The gentleness of heaven broods o'er the Sea:
Listen! the mighty Being is awake,
And doth with his eternal motion make
A sound like thunder—everlastingly.
Dear Child! dear Girl! that walkest with me here,
If thou appear untouched by solemn thought,
Thy nature is not therefore less divine:
Thou liest in Abraham's bosom all the year;
And worship'st at the Temple's inner shrine,
God being with thee when we know it not.



Ozymandias
by Percy Bysshe Shelley

I met a traveller from an antique land
Who said: Two vast and trunkless legs of stone
Stand in the desert. Near them, on the sand,
Half sunk, a shattered visage lies, whose frown,
And wrinkled lip, and sneer of cold command,
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them, and the heart that fed;
And on the pedestal these words appear:
"My name is Ozymandias, king of kings:
Look on my works, ye Mighty, and despair!"
Nothing beside remains. Round the decay
Of that colossal wreck, boundless and bare
The lone and level sands stretch far away.



Excerpt from "More Poems"
by A. E. Housman

XXXVI

Here dead we lie we because we did not choose
To live and shame the land from which we sprung.
Life, to be sure, is nothing much to lose;
But young men think it is, and we were young.



Sonnet 147: My Love is as a Fever
by William Shakespeare

My love is as a fever, longing still
For that which longer nurseth the disease,
Feeding on that which doth preserve the ill,
The uncertain sickly appetite to please.
My reason, the physician to my love,
Angry that his prescriptions are not kept,
Hath left me, and I desperate now approve
Desire is death, which physic did except.
Past cure I am, now reason is past care,
And frantic-mad with evermore unrest.
My thoughts and my discourse as madmen's are,
At random from the truth vainly expressed,
   For I have sworn thee fair, and thought thee bright,
   Who art as black as Hell, as dark as night.



Excerpt from "More Poems"
by A. E. Housman

XLVII - For My Funeral

O thou that from thy mansion
Through time and place to roam,
Dost send abroad thy children,
And then dost call them home,

That men and tribes and nations
And all thy hand hath made
May shelter them from sunshine
In thine eternal shade:

We now to peace and darkness
And earth and thee restore
Thy creature that thou madest
And wilt cast forth no more.



Uphill
by Christina Rossetti

Does the road wind up-hill all the way?
    Yes, to the very end.
Will the day's journey take the whole long day?
    From morn to night, my friend.

But is there for the night a resting-place?
    A roof for when the slow dark hours begin.
May not the darkness hide it from my face?
    You cannot miss that inn.

Shall I meet other wayfarers at night?
   Those who have gone before.
Then must I knock, or call when just in sight?
   They will not keep you standing at that door.

Shall I find comfort, travel-sore and weak?
   Of labour you shall find the sum.
Will there be beds for me and all who seek?
   Yea, beds for all who come.



The Windhover
by Gerard Manley Hopkins

I caught this morning morning's minion, king-
dom of daylight's dauphin, dapple-dawn-drawn Falcon, in his riding
Of the rolling level underneath him steady air, and striding
High there, how he rung upon the rein of a wimpling wing
In his ecstasy! then off, off forth on swing,
As a skate's heel sweeps smooth on a bow-bend: the hurl and gliding
Rebuffed the big wind. My heart in hiding
Stirred for a bird,—the achieve of; the mastery of the thing!

Brute beauty and valour and act, oh, air, pride, plume, here
Buckle! AND the fire that breaks from thee then, a billion
Times told lovelier, more dangerous, O my chevalier!

No wonder of it: shéer plód makes plough down sillion
Shine, and blue-bleak embers, ah my dear,
Fall, gall themselves, and gash gold-vermillion.



A Red, Red Rose
by Robert Burns

Oh my luve is like a red, red rose,
That's newly sprung in June:
Oh my luve is like the melodie,
That's sweetly play'd in tune.

As fair art thou, my bonie lass,
So deep in luve am I;
And I will luve thee still, my dear,
Till a' the seas gang dry.

Till a' the seas gang dry, my dear,
And the rocks melt wi' the sun;
And I will luve thee still, my dear,
While the sands o' life shall run.

And fare thee weel, my only luve!
And fare thee weel a while!
And I will come again, my luve,
Tho' it were ten thousand mile!



The World Is Too Much With Us
by William Wordsworth

The world is too much with us; late and soon,
Getting and spending, we lay waste our powers:
Little we see in Nature that is ours;
We have given our hearts away, a sordid boon!
This Sea that bares her bosom to the moon;
The winds that will be howling at all hours,
And are up-gathered now like sleeping flowers;
For this, for everything, we are out of tune;
It moves us not.—Great God! I'd rather be
A Pagan suckled in a creed outworn;
So might I, standing on this pleasant lea,
Have glimpses that would make me less forlorn;
Have sight of Proteus rising from the sea;
Or hear old Triton blow his wreathèd horn.



Advice to a Girl
by Sara Teasdale

No one worth possessing
Can be quite possessed;
Lay that on your heart,
My young angry dear;
This truth, this hard and precious stone,
Lay it on your hot cheek,
Let it hide your tear.
Hold it like a crystal
When you are alone
And gaze in the depths of the icy stone.
Long, look long and you will be blessed:
No one worth possessing
Can be quite possessed.



Afton Water
by Robert Burns

Flow gently, sweet Afton, among thy green braes,
Flow gently, I'll sing thee a song in thy praise;
My Mary's asleep by thy murmuring stream,
Flow gently, sweet Afton, disturb not her dream.
Thou stock-dove, whose echo resounds thro' the glen,
Ye wild whistling blackbirds in yon thorny den,
Thou green-crested lapwing, thy screaming forbear,
I charge you disturb not my slumbering fair.
How lofty, sweet Afton, thy neighbouring hills,
Far mark'd with the courses of clear winding rills;
There daily I wander as noon rises high,
My flocks and my Mary's sweet cot in my eye.
How pleasant thy banks and green valleys below,
Where wild in the woodlands the primroses blow;
There oft, as mild Ev'ning sweeps over the lea,
The sweet-scented birk shades my Mary and me.
Thy crystal stream, Afton, how lovely it glides,
And winds by the cot where my Mary resides,
How wanton thy waters her snowy feet lave,
As gathering sweet flowrets she stems thy clear wave.
Flow gently, sweet Afton, among thy green braes,
Flow gently, sweet river, the theme of my lays;
My Mary's asleep by thy murmuring stream,
Flow gently, sweet Afton, disturb not her dream.



Cold-Blooded Creatures
by Elinor Morton Wylie

Man, the egregious egoist
(In mystery the twig is bent)
Imagines, by some mental twist,
That he alone is sentient

Of the intolerable load
That on all living creatures lies,
Nor stoops to pity in the toad
The speechless sorrow of his eyes.

He asks no questions of the snake,
Nor plumbs the phosphorescent gloom
Where lidless fishes, broad awake,
Swim staring at a nightmare doom.



Dreams
by Langston Hughes

Hold fast to dreams
For if dreams die
Life is a broken-winged bird
That cannot fly.

Hold fast to dreams
For when dreams go
Life is a barren field
Frozen with snow.



A Dream Deferred
by Langston Hughes

What happens to a dream deferred?

Does it dry up
like a raisin in the sun?
Or fester like a sore—
And then run?
Does it stink like rotten meat?
Or crust and sugar over—
like a syrupy sweet?

Maybe it just sags
like a heavy load.

Or does it explode?



The Unreturning
by Wilfred Owen

Suddenly night crushed out the day and hurled
Her remnants over cloud-peaks, thunder-walled.
Then fell a stillness such as harks appalled
When far-gone dead return upon the world.

There watched I for the Dead; but no ghost woke.
Each one whom Life exiled I named and called.
But they were all too far, or dumbed, or thralled,
And never one fared back to me or spoke.

Then peered the indefinite unshapen dawn
With vacant gloaming, sad as half-lit minds,
The weak-limned hour when sick men's sighs are drained.
And while I wondered on their being withdrawn,
Gagged by the smothering Wing which none unbinds,
I dreaded even a heaven with doors so chained.



On His Seventy-Fifth Birthday
by Walter Savage Landor

I strove with none, for none was worth my strife;
Nature I loved, and next to Nature, Art;
I warmed both hands before the fire of Life;
It sinks, and I am ready to depart.



First Fig
by Edna St. Vincent Millay

My candle burns at both ends;
It will not last the night;
But ah, my foes, and oh, my friends—
It gives a lovely light!



Methought I Saw
by John Milton

Methought I saw my late espousèd saint
   Brought to me like Alcestis from the grave,
   Whom Jove's great son to her glad husband gave,
   Rescued from Death by force, though pale and faint.
Mine, as whom washed from spot of childbed taint
   Purification in the Old Law did save,
   And such, as yet once more I trust to have
   Full sight of her in Heaven without restraint,
Came vested all in white, pure as her mind.
   Her face was veiled; yet to my fancied sight
   Love, sweetness, goodness, in her person shined
So clear as in no face with more delight.
   But O, as to embrace me she inclined,
   I waked, she fled, and day brought back my night.



One Art
by Elizabeth Bishop

The art of losing isn't hard to master;
so many things seem filled with the intent
to be lost that their loss is no disaster.

Lose something every day. Accept the fluster
of lost door keys, the hour badly spent.
The art of losing isn't hard to master.

Then practice losing farther, losing faster:
places, and names, and where it was you meant
to travel. None of these will bring disaster.

I lost my mother's watch. And look! my last, or
next-to-last, of three loved houses went.
The art of losing isn't hard to master.

I lost two cities, lovely ones. And, vaster,
some realms I owned, two rivers, a continent.
I miss them, but it wasn't a disaster.

—Even losing you (the joking voice, a gesture
I love) I shan't have lied. It's evident
the art of losing's not too hard to master
though it may look like (Write it!) like disaster.

NOTE: You can find Elizabeth Bishop's "The Fish" and "The Armadillo" on our Best Longer Poems page, along with Robert Lowell's excellent "Skunk Hour," which was written in response to Bishop's armadillo poem.



the Cambridge ladies who live in furnished souls
e. e. cummings

the Cambridge ladies who live in furnished souls
are unbeautiful and have comfortable minds
(also, with the church's protestant blessings
daughters, unscented shapeless spirited)
they believe in Christ and Longfellow, both dead,
are invariably interested in so many things—
at the present writing one still finds
delighted fingers knitting for the is it Poles?
perhaps. While permanent faces coyly bandy
scandal of Mrs. N and Professor D
.... the Cambridge ladies do not care, above
Cambridge if sometimes in its box of
sky lavender and cornerless, the
moon rattles like a fragment of angry candy



The Darkling Thrush
by Thomas Hardy

I leant upon a coppice gate
     When Frost was spectre-gray,
And Winter's dregs made desolate
     The weakening eye of day.
The tangled bine-stems scored the sky
     Like strings of broken lyres,
And all mankind that haunted nigh
     Had sought their household fires.
The land's sharp features seemed to be
     The Century's corpse outleant,
His crypt the cloudy canopy,
     The wind his death-lament.
The ancient pulse of germ and birth
     Was shrunken hard and dry,
And every spirit upon earth
     Seemed fervourless as I.
At once a voice arose among
     The bleak twigs overhead
In a full-hearted evensong
     Of joy illimited;
An aged thrush, frail, gaunt, and small,
     In blast-beruffled plume,
Had chosen thus to fling his soul
     Upon the growing gloom.
So little cause for carolings
     Of such ecstatic sound
Was written on terrestrial things
     Afar or nigh around,
That I could think there trembled through
     His happy good-night air
Some blessed Hope, whereof he knew
     And I was unaware.



The Convergence Of The Twain
by Thomas Hardy

Lines on the loss of the "Titanic"

           In a solitude of the sea
           Deep from human vanity,
And the Pride of Life that planned her, stilly couches she.
           Steel chambers, late the pyres
           Of her salamandrine fires,
Cold currents thrid, and turn to rhythmic tidal lyres.
           Over the mirrors meant
           To glass the opulent
The sea-worm crawls—grotesque, slimed, dumb, indifferent.
           Jewels in joy designed
          To ravish the sensuous mind
Lie lightless, all their sparkles bleared and black and blind.
           Dim moon-eyed fishes near
          Gaze at the gilded gear
And query: "What does this vaingloriousness down here?"...
           Well: while was fashioning
          This creature of cleaving wing,
The Immanent Will that stirs and urges everything
          Prepared a sinister mate
          For her—so gaily great—
A Shape of Ice, for the time far and dissociate.
          And as the smart ship grew
          In stature, grace, and hue,
In shadowy silent distance grew the Iceberg too.
          Alien they seemed to be;
          No mortal eye could see
The intimate welding of their later history,
          Or sign that they were bent
          By paths coincident
On being anon twin halves of one august event,
          Till the Spinner of the Years
          Said "Now!" And each one hears,
And consummation comes, and jars two hemispheres.



Dover Beach
by Matthew Arnold

The sea is calm to-night,
The tide is full, the moon lies fair
Upon the straits; on the French coast the light
Gleams and is gone; the cliffs of England stand,
Glimmering and vast, out in the tranquil bay.
Come to the window, sweet is the night-air!
Only, from the long line of spray
Where the sea meets the moon-blanched land,
Listen! you hear the grating roar
Of pebbles which the waves draw back, and fling,
At their return, up the high strand,
Begin, and cease, and then again begin,
With tremulous cadence slow, and bring
The eternal note of sadness in.

Sophocles long ago
Heard it on the Aegean, and it brought
Into his mind the turbid ebb and flow
Of human misery; we
Find also in the sound a thought,
Hearing it by this distant northern sea.

The sea of faith
Was once, too, at the full, and round earth's shore
Lay like the folds of a bright girdle furled.
But now I only hear
Its melancholy, long, withdrawing roar,
Retreating, to the breath
Of the night-wind, down the vast edges drear
And naked shingles of the world.

Ah, love, let us be true
To one another! for the world which seems
To lie before us like a land of dreams,
So various, so beautiful, so new,
Hath really neither joy, nor love, nor light,
Nor certitude, nor peace, nor help for pain;
And we are here as on a darkling plain
Swept with confused alarms of struggle and flight,
Where ignorant armies clash by night.



Dulce Et Decorum Est
by Wilfred Owen

Bent double, like old beggars under sacks
Knock-kneed, coughing like hags, we cursed through sludge,
Till on the haunting flares we turned our backs
And towards our distant rest began to trudge.
Men marched asleep. Many had lost their boots
But limped on, blood-shod. All went lame; all blind;
Drunk with fatigue; deaf even to the hoots
Of tired, outstripped Five-Nines that dropped behind.

Gas! GAS! Quick, boys!—An ecstasy of fumbling,
Fitting the clumsy helmets just in time;
But someone still was yelling out and stumbling
And flound'ring like a man in fire or lime...
Dim, through the misty panes and thick green light,
As under a green sea, I saw him drowning.

In all my dreams, before my helpless sight,
He plunges at me, guttering, choking, drowning.

If in some smothering dreams you too could pace
Behind the wagon that we flung him in,
And watch the white eyes writhing in his face,
His hanging face, like a devil's sick of sin;
If you could hear, at every jolt, the blood
Come gargling from the froth-corrupted lungs,
Obscene as cancer, bitter as the cud
Of vile, incurable sores on innocent tongues,—
My friend, you would not tell with such high zest
To children ardent for some desperate glory,
The old Lie: Dulce et decorum est
Pro patria mori.

Note: "Dulce et decorum est pro patria mori" is from Horace's Odes and means: "It is sweet and fitting to die for one's country."



Vitae summa brevis spem nos vetat inchohare longam
by Ernest Dowson

"The brevity of life forbids us to entertain hopes of long duration" —Horace

They are not long, the weeping and the laughter,
Love and desire and hate:
I think they have no portion in us after
We pass the gate.

They are not long, the days of wine and roses:
Out of a misty dream
Our path emerges for a while, then closes
Within a dream.



A Last Word
by Ernest Dowson

Let us go hence: the night is now at hand;
The day is overworn, the birds all flown;
And we have reaped the crops the gods have sown;
Despair and death; deep darkness o'er the land,
Broods like an owl; we cannot understand
Laughter or tears, for we have only known
Surpassing vanity: vain things alone
Have driven our perverse and aimless band.
Let us go hence, somewhither strange and cold,
To Hollow Lands where just men and unjust
Find end of labour, where's rest for the old,
Freedom to all from love and fear and lust.
Twine our torn hands! O pray the earth enfold
Our life-sick hearts and turn them into dust.



Non sum qualis eram bonae sub regno Cynarae
by Ernest Dowson

"I am not as I was under the reign of the good Cynara"—Horace

Last night, ah, yesternight, betwixt her lips and mine
There fell thy shadow, Cynara! thy breath was shed
Upon my soul between the kisses and the wine;
And I was desolate and sick of an old passion,
Yea, I was desolate and bowed my head:
I have been faithful to thee, Cynara! in my fashion.

All night upon mine heart I felt her warm heart beat,
Night-long within mine arms in love and sleep she lay;
Surely the kisses of her bought red mouth were sweet;
But I was desolate and sick of an old passion,
When I awoke and found the dawn was gray:
I have been faithful to you, Cynara! in my fashion.

I have forgot much, Cynara! gone with the wind,
Flung roses, roses riotously with the throng,
Dancing, to put thy pale, lost lilies out of mind;
But I was desolate and sick of an old passion,
Yea, all the time, because the dance was long;
I have been faithful to thee, Cynara! in my fashion.

I cried for madder music and for stronger wine,
But when the feast is finished and the lamps expire,
Then falls thy shadow, Cynara! the night is thine;
And I am desolate and sick of an old passion,
Yea, hungry for the lips of my desire:
I have been faithful to thee, Cynara! in my fashion.



To Celia
by Ben Jonson

Drink to me, only, with thine eyes,
And I will pledge with mine;
Or leave a kiss but in the cup,
And I'll not look for wine.
The thirst that from the soul doth rise,
Doth ask a drink divine:
But might I of Jove's nectar sup,
I would not change for thine.

I sent thee, late, a rosy wreath,
Not so much honouring thee,
As giving it a hope, that there
It could not withered be.
But thou thereon didst only breathe,
And sent'st back to me:
Since when it grows, and smells, I swear,
Not of itself, but thee.



To Earthward
by Robert Frost

Love at the lips was touch
As sweet as I could bear;
And once that seemed too much;
I lived on air

That crossed me from sweet things,
The flow of — was it musk
From hidden grapevine springs
Downhill at dusk?

I had the swirl and ache
From sprays of honeysuckle
That when they’re gathered shake
Dew on the knuckle.

I craved strong sweets, but those
Seemed strong when I was young:
The petal of the rose
It was that stung.

Now no joy but lacks salt,
That is not dashed with pain
And weariness and fault;
I crave the stain

Of tears, the aftermark
Of almost too much love,
The sweet of bitter bark
And burning clove.

When stiff and sore and scarred
I take away my hand
From leaning on it hard
In grass or sand,

The hurt is not enough:
I long for weight and strength
To feel the earth as rough
To all my length.



The Tyger
by William Blake

Tyger! Tyger! burning bright
In the forests of the night
What immortal hand or eye
Could frame thy fearful symmetry?

In what distant deeps or skies
Burnt the fire of thine eyes?
On what wings dare he aspire?
What the hand, dare seize the fire?

And what shoulder, & what art,
Could twist the sinews of thy heart?
And when thy heart began to beat,
What dread hand? & what dread feet?

What the hammer? what the chain?
In what furnace was thy brain?
What the anvil? what dread grasp
Dare its deadly terrors clasp?

When the stars threw down their spears,
And water'd heaven with their tears,
Did he smile his work to see?
Did he who made the Lamb make thee?

Tyger! Tyger! burning bright
In the forests of the night,
What immortal hand or eye
Dare frame thy fearful symmetry?



To Daffodils
by Robert Herrick

Fair daffodils, we weep to see
   You haste away so soon.
As yet the early-rising sun
   Hath not attained his noon.
        Stay, stay,
   Until the hasting day
        Has run
   But to the even-song;
And, having prayed together, we
   Will go with you along.
We have short time to stay, as you;
   We have as short a spring;
As quick a growth to meet decay,
   As you, or any thing.
        We die.
   As your hours do, and dry
        Away
   Like to the summer's rain;
Or as the pearls of morning's dew
   Ne'er to be found again.



Go, Lovely Rose
by Edmund Waller

     Go, lovely Rose,—
Tell her that wastes her time and me,
     That now she knows,
When I resemble her to thee,
How sweet and fair she seems to be.

     Tell her that's young,
And shuns to have her graces spied,
     That hadst thou sprung
In deserts where no men abide,
Thou must have uncommended died.

     Small is the worth
Of beauty from the light retir'd:
     Bid her come forth,
Suffer herself to be desir'd,
And not blush so to be admir'd.

     Then die, that she
The common fate of all things rare
     May read in thee;
How small a part of time they share,
That are so wondrous sweet and fair.



Requiem
by Robert L. Stevenson

Under the wide and starry sky
Dig the grave and let me lie.
Glad did I live and gladly die,
And I laid me down with a will.

This be the verse you grave for me;
"Here he lies where he longed to be,
Home is the sailor, home from sea,
And the hunter home from the hill."



So We'll Go No More A-Roving
by George Gordon, Lord Byron

So we'll go no more a-roving
   So late into the night,
Though the heart be still as loving,
   And the moon be still as bright.

For the sword outwears its sheath,
   And the soul outwears the breast,
And the heart must pause to breathe,
   And love itself have rest.

Though the night was made for loving,
   And the day returns too soon,
Yet we'll go no more a-roving
   By the light of the moon.



Full Fathom Five
by William Shakespeare

Full fathom five thy father lies;
   Of his bones are coral made;
Those are pearls that were his eyes:
   Nothing of him that doth fade
But doth suffer a sea-change
Into something rich and strange.
Sea-nymphs hourly ring his knell:
   Ding-dong.
Hark! now I hear them — ding-dong, bell.



The Silent Slain
by Archibald MacLeish

We too, we too, descending once again
The hills of our own land, we too have heard
Far off — Ah, que ce cor a longue haleine —
The horn of Roland in the passages of Spain,
The first, the second blast, the failing third,
And with the third turned back and climbed once more
The steep road southward, and heard faint the sound
Of swords, of horses, the disastrous war,
And crossed the dark defile at last, and found
At Roncevaux upon the darkening plain
The dead against the dead and on the silent ground
The silent slain —



Spring and Fall, to a Young Child
by Gerard Manley Hopkins

Margaret, are you grieving
Over Goldengrove unleaving?
Leaves, like the things of man, you
With your fresh thoughts care for, can you?
Ah! as the heart grows older
It will come to such sights colder
By and by, nor spare a sigh
Though worlds of wanwood leafmeal lie;
And yet you will weep and know why.
Now no matter, child, the name:
Sorrow's springs are the same.
Nor mouth had, no nor mind, expressed
What héart héard of, ghóst guéssed:
It is the blight man was born for,
It is Margaret you mourn for.



The Eagle and the Mole
by Elinor Wylie

Avoid the reeking herd,
Shun the polluted flock,
Live like that stoic bird,
The eagle of the rock.

The huddled warmth of crowds
Begets and fosters hate;
He keeps above the clouds
His cliff inviolate.

When flocks are folded warm,
And herds to shelter run,
He sails above the storm,
He stares into the sun.

If in the eagle's track
Your sinews cannot leap,
Avoid the lathered pack,
Turn from the steaming sheep.

If you would keep your soul
From spotted sight or sound,
Live like the velvet mole:
Go burrow underground.

And there hold intercourse
With roots of trees and stones,
With rivers at their source,
And disembodied bones.



Leda and the Swan
by William Butler Yeats

A sudden blow: the great wings beating still
Above the staggering girl, her thighs caressed
By the dark webs, her nape caught in his bill,
He holds her helpless breast upon his breast.

How can those terrified vague fingers push
The feathered glory from her loosening thighs?
And how can body, laid in that white rush,
But feel the strange heart beating where it lies?

A shudder in the loins engenders there
The broken wall, the burning roof and tower
And Agamemnon dead.
                        Being so caught up,
So mastered by the brute blood of the air,
Did she put on his knowledge with his power
Before the indifferent beak could let her drop?



Love Is Not All
by Edna St. Vincent Millay

Love is not all: It is not meat nor drink
Nor slumber nor a roof against the rain,
Nor yet a floating spar to men that sink
and rise and sink and rise and sink again.
Love cannot fill the thickened lung with breath
Nor clean the blood, nor set the fractured bone;
Yet many a man is making friends with death
even as I speak, for lack of love alone.
It well may be that in a difficult hour,
pinned down by need and moaning for release
or nagged by want past resolution's power,
I might be driven to sell your love for peace,
Or trade the memory of this night for food.
It may well be. I do not think I would.



La Figlia Che Piange (The Weeping Girl)
by T. S. Eliot

Stand on the highest pavement of the stair —
Lean on a garden urn —
Weave, weave the sunlight in your hair —
Clasp your flowers to you with a pained surprise —
Fling them to the ground and turn
With a fugitive resentment in your eyes:
But weave, weave the sunlight in your hair.

So I would have had him leave,
So I would have had her stand and grieve,
So he would have left
As the soul leaves the body torn and bruised,
As the mind deserts the body it has used.
I should find
Some way incomparably light and deft,
Some way we both should understand,
Simple and faithless as a smile and a shake of the hand.

She turned away, but with the autumn weather
Compelled my imagination many days,
Many days and many hours:
Her hair over her arms and her arms full of flowers.
And I wonder how they should have been together!
I should have lost a gesture and a pose.
Sometimes these cogitations still amaze
The troubled midnight, and the noon's repose.



On the Eve of His Execution
by Chidiock Tichborne

My prime of youth is but a frost of cares,
My feast of joy is but a dish of pain,
My crop of corn is but a field of tares,
And all my good is but vain hope of gain;
The day is past, and yet I saw no sun,
And now I live, and now my life is done.

My tale was heard and yet it was not told,
My fruit is fallen, yet my leaves are green,
My youth is spent and yet I am not old,
I saw the world and yet I was not seen;
My thread is cut and yet it is not spun,
And now I live and now my life is done.

I sought my death and found it in my womb,
I looked for life and found it was a shade,
I trod the earth and knew it was my tomb,
And now I die, and now I was but made;
My glass is full, and now my glass is run,
And now I live, and now my life is done.



Buffalo Bill's defunct
e. e. cummings

Buffalo Bill's
        defunct
               who used to
               ride a watersmooth-silver
                                        stallion
        and break onetwothreefourfive pigeonsjustlikethat
                                                         Jesus
        he was a handsome man
                             and what i want to know is
        how do you like your blueeyed boy
        Mister Death



Tears, Idle Tears
by Lord Alfred Tennyson

Tears, idle tears, I know not what they mean,
Tears from the depth of some divine despair
Rise in the heart, and gather to the eyes,
In looking on the happy Autumn fields,
And thinking of the days that are no more.

Fresh as the first beam glittering on a sail,
That brings our friends up from the underworld,
Sad as the last which reddens over one
That sinks with all we love below the verge;
So sad, so fresh, the days that are no more.

Ah, sad and strange as in dark summer dawns
The earliest pipe of half-awakened birds
To dying ears, when unto dying eyes
The casement slowly grows a glimmering square;
So sad, so strange, the days that are no more.

Dear as remembered kisses after death,
And sweet as those by hopeless fancy feigned
On lips that are for others; deep as love,
Deep as first love, and wild with all regret;
O Death in Life, the days that are no more.



A Supermarket in California
by Allen Ginsberg

What thoughts I have of you tonight, Walt Whitman, for I walked down the streets under the trees with a headache self-conscious looking at the full moon.
In my hungry fatigue, and shopping for images, I went into the neon fruit supermarket, dreaming of your enumerations!
What peaches and what penumbras! Whole families shopping at night! Aisles full of husbands! Wives in the avocados, babies in the tomatoes! — and you, Garcia Lorca, what were you doing down by the watermelons?
I saw you, Walt Whitman, childless, lonely old grubber, poking among the meats in the refrigerator and eyeing the grocery boys.
I heard you asking questions of each: Who killed the pork chops? What price bananas? Are you my Angel?
I wandered in and out of the brilliant stacks of cans following you, and followed in my imagination by the store detective.
We strode down the open corridors together in our solitary fancy tasting artichokes, possessing every frozen delicacy, and never passing the cashier.
Where are we going, Walt Whitman? The doors close in an hour. Which way does your beard point tonight?
(I touch your book and dream of our odyssey in the supermarket and feel absurd.)
Will we walk all night through solitary streets? The trees add shade to shade, lights out in the houses, we'll both be lonely.
Will we stroll dreaming of the lost America of love past blue automobiles in driveways, home to our silent cottage?
Ah, dear father, graybeard, lonely old courage-teacher, what America did you have when Charon quit poling his ferry and you got out on a smoking bank and stood watching the boat disappear on the black waters of Lethe?



The Man Whose Pharynx Was Bad
by Wallace Stevens

The time of year has grown indifferent.
Mildew of summer and the deepening snow
Are both alike in the routine I know:
I am too dumbly in my being pent.

The wind attendant on the solstices
Blows on the shutters of the metropoles,
Stirring no poet in his sleep, and tolls
The grand ideas of the villages.

The malady of the quotidian . . .
Perhaps if summer ever came to rest
And lengthened, deepened, comforted, caressed
Through days like oceans in obsidian

Horizons, full of night's midsummer blaze;
Perhaps, if winter once could penetrate
Through all its purples to the final slate,
Persisting bleakly in an icy haze;

One might in turn become less diffident,
Out of such mildew plucking neater mould
And spouting new orations of the cold.
One might. One might. But time will not relent.



Helen
by H. D.

All Greece hates
the still eyes in the white face,
the lustre as of olives
where she stands,
and the white hands.

All Greece reviles
the wan face when she smiles,
hating it deeper still
when it grows wan and white,
remembering past enchantments
and past ills.

Greece sees unmoved,
God's daughter, born of love,
the beauty of cool feet
and slenderest knees,
could love indeed the maid,
only if she were laid,
white ash amid funereal cypresses.



Proud Maisie
by Sir Walter Scott

Proud Maisie is in the wood
Walking so early;
Sweet Robin sits on the bush,
Singing so rarely.

'Tell me, thou bonny bird,
When shall I marry me?' —
'When six braw gentlemen
Kirkward shall carry ye.'

'Who makes the bridal bed,
Birdie, say truly?'
'The gray-headed sexton
That delves the grave duly.'

'The glowworm o'er grave and stone
Shall light thee steady,
The owl from the steeple sing,
'Welcome, proud lady.'



When I have fears that I may cease to be
by John Keats

When I have fears that I may cease to be
Before my pen has glean'd my teeming brain,
Before high piled books, in charact'ry,
Hold like rich garners the full-ripen'd grain;
When I behold, upon the night's starr'd face,
Huge cloudy symbols of a high romance,
And think that I may never live to trace
Their shadows, with the magic hand of chance;
And when I feel, fair creature of an hour!
That I shall never look upon thee more,
Never have relish in the faery power
Of unreflecting love!—then on the shore
Of the wide world I stand alone, and think
Till Love and Fame to nothingness do sink.



Tea at the Palaz of Hoon
by Wallace Stevens

Not less because in purple I descended
The western day through what you called
The loneliest air, not less was I myself.

What was the ointment sprinkled on my beard?
What were the hymns that buzzed beside my ears?
What was the sea whose tide swept through me there?

Out of my mind the golden ointment rained,
And my ears made the blowing hymns they heard.
I was myself the compass of that sea:

I was the world in which I walked, and what I saw
Or heard or felt came not but from myself;
And there I found myself more truly and more strange.



She Walks In Beauty
by Lord Bryon

She walks in beauty, like the night
Of cloudless climes and starry skies;
And all that's best of dark and bright
Meet in her aspect and her eyes:
Thus mellow'd to that tender light
Which heaven to gaudy day denies.

One shade the more, one ray the less,
Had half impair'd the nameless grace
Which waves in every raven tress,
Or softly lightens o'er her face;
Where thoughts serenely sweet express
How pure, how dear their dwelling-place.

And on that cheek, and o'er that brow,
So soft, so calm, yet eloquent,
The smiles that win, the tints that glow,
But tell of days in goodness spent,
A mind at peace with all below,
A heart whose love is innocent!



blessing the boats
by Lucille Clifton

(at St. Mary's)

may the tide
that is entering even now
the lip of our understanding
carry you out
beyond the face of fear
may you kiss
the wind then turn from it
certain that it will
love your back may you
open your eyes to water
water waving forever
and may you in your innocence
sail through this to that



Heaven-Haven
by Gerard Manley Hopkins

I have desired to go
Where springs not fail,
To fields where flies no sharp and sided hail,
And a few lilies blow.

And I have asked to be
Where no storms come,
Where the green swell is in the havens dumb,
And out of the swing of the sea.



We Wear the Mask
by Paul Laurence Dunbar

We wear the mask that grins and lies,
It hides our cheeks and shades our eyes,—
This debt we pay to human guile;
With torn and bleeding hearts we smile,
And mouth with myriad subtleties.

Why should the world be overwise,
In counting all our tears and sighs?
Nay, let them only see us, while
We wear the mask.

We smile, but, O great Christ, our cries
To thee from tortured souls arise.
We sing, but oh the clay is vile
Beneath our feet, and long the mile;
But let the world dream otherwise,
We wear the mask!



Shine, Perishing Republic
by Robinson Jeffers

While this America settles in the mould of its vulgarity, heavily thickening to empire,
And protest, only a bubble in the molten mass, pops and sighs out, and the mass hardens,

I sadly smiling remember that the flower fades to make fruit, the fruit rots to make earth.
Out of the mother; and through the spring exultances, ripeness and decadence; and home to the mother.

You making haste haste on decay: not blameworthy; life is good, be it stubbornly long or suddenly
A mortal splendor: meteors are not needed less than mountains: shine, perishing republic.

But for my children, I would have them keep their distance from the thickening center; corruption
Never has been compulsory, when the cities lie at the monster’s feet there are left the mountains.

And boys, be in nothing so moderate as in love of man, a clever servant, insufferable master.
There is the trap that catches noblest spirits, that caught—they say—God, when he walked on earth.

Since the rise of Trump, this poem has taken on new meaning for me and seems prophetic. Who ever thought the United States would trade in Lady Liberty for an apartheid wall?



I Am
by John Clare

I am: yet what I am none cares or knows,
My friends forsake me like a memory lost;
I am the self-consumer of my woes,
They rise and vanish in oblivious host,
Like shades in love and death's oblivion lost;
And yet I am! and live with shadows tost

Into the nothingness of scorn and noise,
Into the living sea of waking dreams,
Where there is neither sense of life nor joys,
But the vast shipwreck of my life's esteems;
And e'en the dearest—that I loved the best—
Are strange—nay, rather stranger than the rest.

I long for scenes where man has never trod;
A place where woman never smil'd or wept;
There to abide with my creator, God,
And sleep as I in childhood sweetly slept:
Untroubling and untroubled where I lie;
The grass below—above the vaulted sky.



The poems listed below now appear on The Masters, Part II

Sonnet 73: That Time of Year by William Shakespeare
I gave myself to him by Emily Dickinson
There is a garden in her face by Thomas Campion
The Light of Other Days by Tom Moore
First Anniversary by Weldon Kees
An Afternoon At The Beach by Edgar Bowers
somewhere i have never travelled, gladly beyond by e. e. cummings
The Truth the Dead Know by Anne Sexton
Cirque d'Hiver by Elizabeth Bishop
Song of Solomon attributed to King Solomon
Bagpipe Music by Louis MacNeice
On Eastnor Knoll by John Masefield
Tell Me a Story by Robert Penn Warren, from Audubon: A Vision
November Graveyard by Sylvia Plath
The Broken Tower by Hart Crane
I Knew A Woman by Theodore Roethke
Nothing Is Lost by Noel Coward
Cargoes by John Masefield
Forgetfulness by Hart Crane
Interior by Hart Crane
As the Ruin Falls by C. S. Lewis
Bathsheba's Song by George Peele
Is there any reward? by Hilaire Belloc
Fires by Joseph Campbell
Base Details by Seigfreid Sassoon
Where The Mind is Without Fear by Rabindranath Tagore
On the Vanity of Earthly Greatness by Arthur Guiterman
The Way Through the Woods by Rudyard Kipling
The Road Goes Ever On by J R R Tolkien
Beauty That Is Never Old by James Weldon Johnson
Mother Night by James Weldon Johnson
The Poet's Testament by George Santayana
The More Loving One by W. H. Auden
After-Sensations by Johann Wolfgang von Goethe
Funeral Blues by W. H. Auden
The Last Rose of Summer by Tom Moore
Spring by Edna St. Vincent Millay
Nothing To Be Said by Philip Larkin
Epitaph for a Romantic Woman by Louise Bogan

This Masters pages contain primarily shorter lyric poems. To continue reading The Best Long Poems in the English Language, please click the hyperlinked title. Some of the longer poems included are "The Highwayman" by Alfred Noyes, "Dover Beach" by Matthew Arnold, "Directive" by Robert Frost, "Daddy" by Sylvia Plath, "True Love" by Robert Penn Warren, the Archpoet's magnificent "Confession" and the great anonymous ballad "Tom O'Bedlam."

Related Pages: The Most Popular Poems of All Time, The Best Thanksgiving Poems, The Best Antinatalist Poems and Prose

The HyperTexts