Robert Frost (1874-1963) was perhaps the last major American poet to be acclaimed by literary critics and
the reading public. Frost was also one of the foremost
American critics of orthodox Christianity, as attested by three poems on this page:
"Directive," "A Question" and "Forgive, O Lord."
Frost's "Directive" is an
under-known and under-appreciated poem today, but one well worth reading and
considering because it illustrates the darkness of a religion that insists the
"chosen few" are predestined for "eternal glory" while (as Saint Mark said
in the oldest gospel), other people are deliberately led astray by God to their
eternal doom. "Directive" with its guide who "only has at heart your getting
lost" and its sign "CLOSED to all but me" becomes even more chilling when we
consider such a dark message's impact on the
children of whom Frost says, "Weep for what little things could make them glad."
But Frost, for all his famous rigor and pragmatism, was also capable of great
tenderness and delicacy in poems like "Nothing Gold Can Stay" and "To
Earthward." (Our thanks to Tom Merrill for suggesting a number of
the lesser-known poems by Frost that appear on this page.)
On A Bird Singing in Its Sleep
A bird half wakened in the lunar noon
Sang halfway through its little inborn tune.
Partly because it sang but once all night
And that from no especial bush's height;
Partly because it sang ventriloquist
And had the inspiration to desist
Almost before the prick of hostile ears,
It ventured less in peril than appears.
It could not have come down to us so far,
Through the interstices of things ajar,
On the long bead chain of repeated birth,
To be a bird while we are men on earth,
If singing out of sleep and dream that way
Had made it much more easily a prey.
Nothing Gold Can Stay
Nature's first green is gold,
Her hardest hue to hold.
Her early leaf's a flower;
But only so an hour.
Then leaf subsides to leaf.
So Eden sank to grief,
So dawn goes down to day.
Nothing gold can stay.
Acquainted With The Night
I have been one acquainted with the night.
I have walked out in rain—and back in rain.
I have outwalked the furthest city light.
I have looked down the saddest city lane.
I have passed by the watchman on his beat
And dropped my eyes, unwilling to explain.
I have stood still and stopped the sound of feet
When far away an interrupted cry
Came over houses from another street,
But not to call me back or say good-by;
And further still at an unearthly height,
One luminary clock against the sky
Proclaimed the time was neither wrong nor right.
I have been one acquainted with the night.
Love at the lips was touch
As sweet as I could bear;
And once that seemed too much;
I lived on air
That crossed me from sweet things,
The flow of – was it musk
From hidden grapevine springs
Downhill at dusk?
I had the swirl and ache
From sprays of honeysuckle
That when they’re gathered shake
Dew on the knuckle.
I craved strong sweets, but those
Seemed strong when I was young:
The petal of the rose
It was that stung.
Now no joy but lacks salt,
That is not dashed with pain
And weariness and fault;
I crave the stain
Of tears, the aftermark
Of almost too much love,
The sweet of bitter bark
And burning clove.
When stiff and sore and scarred
I take away my hand
From leaning on it hard
In grass or sand,
The hurt is not enough:
I long for weight and strength
To feel the earth as rough
To all my length.
A voice said, look me in the stars
And tell me truly, men of earth,
If all the soul-and-body scars
Were not too much to pay for birth.
Forgive, O Lord
Forgive, O Lord, my little jokes on Thee
And I'll forgive the great big one on me.
Back out of all this now too much for us,
Back in a time made simple by the loss
Of detail, burned, dissolved, and broken off
Like graveyard marble sculpture in the weather,
There is a house that is no more a house
Upon a farm that is no more a farm
And in a town that is no more a town.
The road there, if you'll let a guide direct you
Who only has at heart your getting lost,
May seem as if it should have been a quarry –
Great monolithic knees the former town
Long since gave up pretense of keeping covered.
And there's a story in a book about it:
Besides the wear of iron wagon wheels
The ledges show lines ruled southeast-northwest,
The chisel work of an enormous Glacier
That braced his feet against the Arctic Pole.
You must not mind a certain coolness from him
Still said to haunt this side of Panther Mountain.
Nor need you mind the serial ordeal
Of being watched from forty cellar holes
As if by eye pairs out of forty firkins.
As for the woods' excitement over you
That sends light rustle rushes to their leaves,
Charge that to upstart inexperience.
Where were they all not twenty years ago?
They think too much of having shaded out
A few old pecker-fretted apple trees.
Make yourself up a cheering song of how
Someone's road home from work this once was,
Who may be just ahead of you on foot
Or creaking with a buggy load of grain.
The height of the adventure is the height
Of country where two village cultures faded
Into each other. Both of them are lost.
And if you're lost enough to find yourself
By now, pull in your ladder road behind you
And put a sign up CLOSED to all but me.
Then make yourself at home. The only field
Now left's no bigger than a harness gall.
First there's the children's house of make-believe,
Some shattered dishes underneath a pine,
The playthings in the playhouse of the children.
Weep for what little things could make them glad.
Then for the house that is no more a house,
But only a belilaced cellar hole,
Now slowly closing like a dent in dough.
This was no playhouse but a house in earnest.
Your destination and your destiny's
A brook that was the water of the house,
Cold as a spring as yet so near its source,
Too lofty and original to rage.
(We know the valley streams that when aroused
Will leave their tatters hung on barb and thorn.)
I have kept hidden in the instep arch
Of an old cedar at the waterside
A broken drinking goblet like the Grail
Under a spell so the wrong ones can't find it,
So can't get saved, as Saint Mark says they mustn't.
(I stole the goblet from the children's playhouse.)
Here are your waters and your watering place.
Drink and be whole again beyond confusion.
Thine emulous fond flowers are dead, too,
And the daft sun-assaulter, he
That frightened thee so oft, is fled or dead:
Save only me
(Nor is it sad to thee!)—
Save only me
There is none left to mourn thee in the fields.
The gray grass is scarce dappled with the snow;
Its two banks have not shut upon the river;
But it is long ago—
It seems forever—
Since first I saw thee glance,
With all thy dazzling other ones,
In airy dalliance,
Precipitate in love,
Tossed, tangled, whirled and whirled above,
Like a limp rose-wreath in a fairy dance.
When that was, the soft mist
Of my regret hung not on all the land,
And I was glad for thee,
And glad for me, I wist.
Thou didst not know, who tottered, wandering on high,
That fate had made thee for the pleasure of the wind,
With those great careless wings,
Nor yet did I.
And there were other things:
It seemed God let thee flutter from his gentle clasp:
Then fearful he had let thee win
Too far beyond him to be gathered in,
Snatched thee, o'ereager, with ungentle grasp.
Ah! I remember me
How once conspiracy was rife
Against my life—
The languor of it and the dreaming fond;
Surging, the grasses dizzied me of thought,
The breeze three odors brought,
And a gem-flower waved in a wand!
Then when I was distraught
And could not speak,
Sidelong, full on my cheek,
What should that reckless zephyr fling
But the wild touch of thy dye-dusty wing!
I found that wing broken today!
For thou art dead, I said,
And the strange birds say.
I found it with the withered leaves
Under the eaves.
If anything should put an end to This,
I'm thinking the unborn would never miss
What they had never had of vital bliss.
No burst of nuclear phenomenon
That put an end to what was going on
Could make much difference to the dead and gone.
Only a few of those even in whose day
It happened would have very much to say.
And anyone might ask them who were they.
Who would they be? The guild of social planners
With the intention blazoned on their banners
Of getting one more chance to change our manners?
These anyway might think it was important
That human history should not be shortened.
No Holy Wars for Them
States strong enough to do good are but few.
Their number would seem limited to three.
Good is a thing that they, the great, can do,
But puny little states can only be.
And being good for these means standing by
To watch a war in nominal alliance,
And when it's over watch the world's supply
Get parceled out among the winning giants.
God, have you taken cognizance of this?
And what on this is Your divine position?
That nations like the Cuban and the Swiss
Can never hope to wage a Global Mission.
No Holy Wars for them. The most the small
Can ever give us is a nuisance brawl.
The Lost Follower
As I have known them passionate and fine
The gold for which they leave the golden line
Of lyric is a golden light divine,
Never the gold of darkness from a mine.
The spirit plays us strange religious pranks
To whatsoever god we owe the thanks.
No one has ever failed the poet ranks
To link a chain of money-metal banks.
The loss to song, the danger of defection
Is always in the opposite direction.
Some turn in sheer, in Shelleyan dejection
To try if one more popular election
Will give us by shortcut the final stage
That poetry with all its golden rage
For beauty on the illuminated page
Has failed to bring—I mean the Golden Age.
And if this may not be (and nothing's sure),
At least to live ungolden with the poor,
Enduring what the ungolden must endure.
This has been poetry's great anti-lure.
The Muse mourns one who went to his retreat
Long since in some abysmal city street,
The bride who shared the crust he broke to eat,
As grave as he about the world's defeat.
With such it has proved dangerous as friend
Even in a playful moment to contend
That the millennium to which you bend
In longing is not at a progress-end
By grace of state-manipulated pelf,
Or politics of Ghibelline or Guelph,
But right beside you booklike on a shelf,
Or even better godlike in yourself.
He trusts my love too well to deign reply.
But there is in the sadness of his eye
Something about a kingdom in the sky
(As yet unbrought to earth) he means to try.